Finding time and energy to write can be difficult enough. If you’re going to add a step to the creative process–one that itself has some disadvantages, as I discussed last week–you’re going to need to get some serious benefits from it.
But in this case, outlining has a ton of things going for it, and some of them directly counteract the effects of the disadvantages. A good outline makes a better book, and makes it easier to get the damn thing written. An outline is a good deal all around.
The number one advantage of an outline is that it is the number one way to defeat writer’s block. Now, I’m one of those who refuses to buy that writer’s block even exists; it’s a convenient excuse, and one that I’ve readily used myself in the past. But when your writing is stalled, I think it’s a sign not that you’re blocked, but that you need to do more thinking.
And that is exactly what the outline forces you to do: get your thinking out of the way early on. You have already gone through the process of figuring out who does what, and when, and why. You’ve already got those scenes mapped out, to some level. And by separating the thinking from the writing means that instead of getting blocked, you can get to the fun part of making the scenes come alive.
But an outline can do even better than this. You have probably had the experience of sitting down to write, and watching the cursor blink for a few minutes before you really get down to the business of making another cup of tea. And maybe petting the cat for a while, and doing some dishes, and painting the porch.
What I’m saying is that writing is often a matter of momentum. When you sit down, it can be really hard to get back into the scene, and to remember what the next paragraph, the next line, the next word was going to be. Each time you return to your manuscript, you’re resetting your mind completely.
An outline gets you past that. It was written by you, as a guide to writing the book; it’s probably the best possible way to get your mind back into the groove. I found that my writing speed picked up immensely without having to wait for the right idea to reintroduce itself to my frontal lobes.
I’m not the only one, either. An outline is the number one piece of advice from SFF Rachel Aaron, who created a sensation a while ago with her blog post (and later e-book) about going from 2,000 to 10,000 words a day. Read it, and check out her e-book as well. If you’re struggling to increase your output, you’ll definitely want to take a look at her advice.
So outlining helps with the day-to-day task of putting words on the page. But it is also, of course, a big picture tool. How many times have you found yourself halfway through a novel, wishing you’d taken just a slightly different approach to that character? How many times have you had to go back and shoehorn a brand new scene into an already completed part of the book?
If you’re outlining, it’s easy to do those things: you go back to the earlier part of the outline and change it. Add a chapter, add six chapters, move things all around if you like. And if you discover that you could add something awesome but that would need wholesale changes throughout the manuscript, you can do that too.
So the outline has a lot going for it: it can make you a better writer in many, many ways. However, as we’ve discussed before, an outline can also have its disadvantages. So next time I’ll tell you the secret to outlining, the thing that made me the outliner I am today: finding your outlining level.